been to long - the well remebered chorus of a successfull parisian duos single hit comes easily to mind while thinking of the latest internasjonal release. after a long hiatus - which feels like surely way long - we restart with one half of the formerly well known milanese pair - boogie drama - and it s very own lele sacchi. deejaying since 1995 sacchi has been and is still one of italys and especially milans musical icons - at least for electronic and alternative worlds, presents himself in his signature style. high on the heals of the success with rebirths smash lele sacchi vs blonde redhead - youre only kosmiquest is dark and cryptic, with a mean but very neat and elegant bassline plus an unmatched groove and feel for the floor. this time well balanced with a tad into psycheledic strinig heaven, wich combined with electronic effects is his ultimate kosmische quest. the whole thing is contered by an airy and superbright no less danceable lauer version and a fantatsic relaxed italo take on kraut which can propably be non done much better than byprins thomas walking on that lunga strada!

limited edition of 500 copies. all songs originally released as singles on the federal label between 1955 and 1957.

killer groovin disco / phunky feel house bombs

timely re-issue of prince’s second album, originally released in 1979.

very authentic deep house very 90s feeling

janette jnett pitruzzello is considered something of a legend in her home city of melbourne, where she’s been djing for well over two decades. here, she delivers her debut solo ep, featuring a quartet of tracks co-produced by maurice fulton. the latter also delivers a solo mix of opener reflection, which adds a little leftfield disco sparkle and percussive sweatiness to an otherwise organ-heavy deep house groove. theres a similarly cheery, funky and disco-tinged feel to the rolling, cut-up house goodness of swangzipani. elsewhere, the duo gets a little stranger in pursuit of dancefloor thrills bubbles away is deliciously dark, wonky and intergalactic, while judge not wanders off into head-nodding, instrumental hip-hop territory.

summer, sunshine, feeling good - for their long desired debut album mollono.bass & ava asante take this great essence of life to compose a unique kind of electronic music. by combining the catchiness of their solid grooves with a touching violin and a breathtaking voice they create a magical journey that will make you feel like birds flying high. while some tracks are bursting with euphoria, others swing along with dubby easiness - and all of them will touch your soul deep inside.

fantastic voyage’s autumn 2015 release of soul for dancers proved so successful, that we didn’t have to think twice when lois wilson (mojo, record collector) asked if she could do it all over again. it turns out that there were plenty more classic sides in her dj crates, drawing on that rich seam of early soul and proto-soul rhythm & blues, of the sort that would have packed the dancefloors on the sixties club scene, or has been embraced by subsequent generations of club soul diehards.

gorgon city have catapulted their way to fame since the duo formed in 2012. taking a break from their black butter home, damian lazarus welcomes them to his crosstown rebels label for the first time for ‘money’, an atomic bomb of an ep bleeding with big moments. david morales lends his legendary red zone stamp, created in the early 90’s for when the club was at it’s peak, his high energy version of ‘money’ creates a mind-bending state of mind. while riva starr, hot on the heels of his cajual album, strips it back to the elements where we feel the blood of its veins. gorgon city will kick off their ibiza residency on amnesia terrace this summer and in may they co-headline central park in nyc and shrine in la as part of a massive 5 date us tour. this ep is their calling card to the underground, leaving no doubt why nme named them the crème de la crème of new uk dance talent

tommy garofalo aka turbojazz returns to local talk after remixing corrado bucci back in 2015. a producer with great versatility that started djing and producing music during the 90 s, heavily inspiried by hip hop. something that would bring him to explore the whole black music culture, from dance floor jazz to rare funk and disco, passing through all things soulful and deep. take all of the above & stir it in a musical pot and you get the unbreakable ep , the debut 12- on local talk from turbojazz. the ep kicks of with please u which features david blank on vocals. a retro-futuristic track with warm chords draping themselves over snappy snares & melodies. on the flip, unicorn rising bounces along with the sort of finesse you d expect from a producer like recloose, it s flavoured with quirky breaks and warm fuzz bass & analogue-sounding keys. last but not least we ve got evm128 on remix duties, a feel-good slice of broken beat anyone ? it s a blinder ladies and gentlemen.

lizards are lee forster (1/3 last waltz) and james hadfield (the mainstay of the elizabeth collective). taking over a full side, and clocking in at over 9 minutes, anthemic understatement is a very difficult trick to pull of, but the deepness of feel here, coupled with the restraint shown in rhythm and melody, allows the track space to ebb, flow and truly get under the skin of the listener. it s one of those rare tracks that are as equally beautiful as they are danceable international track lives up to it s name, seeing the north eastern english producers channel the japanese take on the balearic sound as heard in productions by artists such as cosmes.

kevin arnemann and daan kemps taped artifact label clocks up its fourth release with a three track offering from outlaw rec boss and key part of the italian serendipity club, namely matthew oh. matthew has previously released on his own label and others like side off, and eloquently marries dub, techno and house into smooth and sensuous sonic landscapes. the opening track psycho hub is an atmospheric and spacious roller with dubbed out drums and pads, coupled with incendiary hi hats urging you along. shroud is seven minutes of slick and spaced out deep techno with liquid synths and clacking hits all racing along and making for a frictionless groove that sucks you right in. finally, get in the fridge slows the tempo down and becomes an even more widescreen and roomy roller with suspensory pads, smeared synths and aqueous sonic details that make you feel like you are floating in sound.

** ltd 2016 repress ** the next release on fofs deeper house offshoot sees the labels roster swell to include two producers who are ascending the ranks, their recent >gruff it< track on the hotter than hot >visionquest< label has turned a heads and they look set to continue their upward trajectory. matthew has also released solo projects on john shepheards >retrofit< label as well as providing the debut release for sammy ds >ultrastretch< label. not only that but matthew is currently in the middle of his summer residency at berlins much revered club der visionaere. >take me away< is a pure slice of chord driven deep house and as such is a slight departure for the duo, the melodies inclining towards more melancholic feelings. remixes come from recent fof favourite scahtrax who strips the track right back, injecting a booming bass heavy kick drum & atmospherics to lend the track a more hypnotic tone. label co-owner blm injects a dubbier feel into his take on the flip. finally, matthew burton goes solo for >tell them phill sent ya< - a loose limbed dancefloor workout reminiscent of perlon in their pomp.

auf warme streicher- und gesangsarrangementes reduzierter house à la arthur russell.

bass culture reach that magnificent milestone of 50 releases with an extra special ep from someone who has become part of labels inner circle, the infallible mr g. set up in 2009 by paris stalwart djulz, bass culture records has maintained a consistently high level of music, crossing from techno into house and back again, always with a focus on quality over quantity. mr g delivers two special gems from his arsenal of weaponary to mark the 50th bsss culture release. the first, * transient* sees mr g in contemplative mood, taking a studied approach with this deep, soulful cut. softened pads are drizzled over a punchy low end, with tough, crisp beats supporting a stirring vocal which urges everybody to get up on their feet. the nineties organ lick gives it an almost sorrowful feel, and those pads continue to takes us up to the skies. a beauty. on the flip, * crumple zone* goes straight for the jugular with a driving b-line, alarming stabs and finger-clicking percussion to get that head nodding. combined with garbled, hypnotic vocal clips, its a mesmerising, eyes down cut for the late night heads. towards the latter part of the track, a naughty riff comes in and adds another layer of sleaze to proceedings. and there you have it, mr g proves yet again why he is such a all-round don and bass culture celebrates 50 releases with panache.

electroacoustic experiments and filmic elements define the music that develops instinctively yet irrevocably, a sense of forward motion setting them apart. compositionally minimal, these tracks maximize their inherent potential all the way through to their logical and even illogical end. referencing electronica, ambient, shoegaze and at times modern classical harmonics, monochord builds and unbuilds in a slow heartbeat. introspective and filmic, its quiet and non-confrontational nature makes monochord move in the interzone between various spheres. their music escapes definition and that is its truest definition. its subtle pulse and evocative and drony feel invite and inspire.

debut release on star creature from the newly formed chicago modern funk band featuring vocals from steve dolfin. buckle up and feel the bass-tastic “you got me” on the a-side, flipped by “magic of the funk-, a midtempo “treacherous and tasty” jam on the b-side

if everything suddenly changed – what would that be like?
qnete’s ep is not the question and not the answer. it’s in a hiatus between hopes and fears, still maintaining an eager energy. within a short period of time all tracks were recorded straight to tape, raw and improvised. they remember the sun bath before the storm, when you feel that something is about to roll over you. they express the urge and need to sometimes just jump into the cold water to face what’s coming next. they linger in the nervous energy when you’re lost and don’t know what to expect. but they also talk about the hope of finding a safe place.

sakro returns once again on houseworx. here started his career and this is his home. this time edgardo invited some friends like brandub, max jacobsen and mike montañoto to join him on his journey from north to south.

bassa bassa bassa bassa bassa bassa bassa bassa bassa bassa... feel the music !

futureboogie roll into spring with a heavyweight release from dastardly duo, ron & neil, aka ron basejam, and neil diablo, who between them bring years of musical chops and (most importantly) the funk to the table, and dont disappoint here. in its original mix, pedre son Éclatis a breezy yet sturdy slice of atmospheric synth dance, resplendent with swirling riffs and stammering bass

faze action return with a brand new 12 inch, teaming up with zimbabwean born zeke manyika to create * mangwana*. sung in zekes native shona, and taking influences from mory kante, south african kwaito to early house, faze action manage to create a record that harks back yet still has a modern and contemporary feel and is set to be the soundtrack to countless festivals and outdoor parties this summer.
the title track is followed by the stunning * chiiko*, featuring zekes vocals enriched by robs cellos with african rhythms floating you away to another tropical world. a vision of panorama turns up the dial with a stunning mix on the flip side. a new bass line adds to some quality keyboard work. finally the brothers deliver are more stripped out dub * paradise 89 mix* tailored for the peak time.

previously one half of the advent, colin mcbean aka mr. g is legendary in the underground scene. having been in the game for more than 25 years, mr. g has gained a cult following through his passionate dedication to making music and his powerful live energy. hes a dj that takes his craft very seriously and feels every beat even more so than his adoring crowds. precious cargo is a perfect example of mr. gs elated, pounding, deep house style a club track refined from years of playing live and responding to his crowds. the ‘vocal mix’ features punchy, spirited vocals to complete that traditional mr g style which manages to combine a soulful feel with a gritty, deep bassline. with sassy vocals from blondewearingblack and mr gs signature uncompromisingly pumping beat,precious cargo is backed with exlcusive vinyl only dubs and a remix from kzr.

jäfar make a rapid return to the label and are back to grace the a side of fragil 019, while one half of the duo (elliot sindall) also pairs up with constantin nakov as seura on the flip. black mamba recalls certain aspects of jäfar s previous work on the label: the broken drum line, the subtle vocal samples and the global hypnotic aspect of the music. yet it is also radically different from marzsia. black mamba is a subtle but direct club track, aiming to get the dancers down through its heavy groove. the kick drum and low toms are strongly suggesting leg movement, joining forces with the snares and hats which call upon some serious head nodding.on the b side, white chapel is another broken beat club piece, but this time feels crafted for the afterhours. the groove is lighter and the heady feel is strong, closing the dancer s eyes and inviting them to drift through the music. once again, fragil comes up with original, well produced and highly danceable content, highlighting unsung talents for every versatile dj out there.

mr scruff & ge-ology remixes
manchester s very own mr scruff and nyc crate digger ge-ology remix moscow s lay-far! now that s what we call a truly international release. it s kind of a dream release for us at local talk as both scruff and ge-ology have been on our we wanna get them on local talk plastic list for quite some time. starting off we find scruff going for a slight disco(ish) rub where analogue synths bumps around with a dark but musical basement feel...but still jazzy! on the flip our man ge-ology who is riding high on the hype from his release on theo parrish s sound signature label goes on a deep and spaced out electronic house venture that is so edgy it hurts. its that good good shit basically...enjoy!

after his successful remix of orions gravity johannes volk returns to polytone with his debut ep. two excellent techno tracks are in place and a spaced out ambient piece called it could happen describes the mysterious view from a spacecraft cockpit into the wideness of the universe. on the a-side volk blows the whistle of the ep s title -asteroid riding- with funky chords accompanied by a wide deep bassline, short samples, classic percussions and a cropped stomping kick-drum, that let you ride through the orbit. on the b-side -earthbound- pounds with a broad hollow kick, arpeggiated synths, alerting sounds and a harmonically settled type of string-line that eases the elements diversity like the blue planets gravity. within the tracks that have been built to transport the feel of time and space, johannes volk again pushes himself on the cutting edge of electronic music.

after a pretty good success with tonbe s digital releases on his imprint disco fruit,now it s time for vinyls. label will be dedicated to release quality disco, nu disco, house and funk music. first release is a selection of tonbe s best tunes so far on his digital label. 4 tracks for bright future. watch out, disco bombs are coming!

this promising israeli talent delivers two slow burning tracks oozing with eastern influence and informed by the modern sounds of dance. part of the 84% creativity crew, naduve presents his second release with cocktail d amore in the form of a two track ep which revels in it s dark and seductive energy. -no good news- builds over it s 7-minute run layering mystic vocal synths and coupling them with splashing hats and tight shakers to give just enough beat driven energy to keep a crowd to attention. the flying guitars and staccato synths of a trip in tel aviv slither over half beat percussive structures to give this track a sinister feel ideal for late, late, late nights. wunderkind man power drops a tab on a trip, giving it a fresh take perfect for psychedelically inclined moments.

during their european tour earlier this year, canadian duo jokers of the scene stopped over for a couple of days at club bizarre studio in northern france. the two pair of producers locked up and came up with betaville and breakwater, two killer lo-fi and spaced out tracks. betaville is a fuzzy dream that will make you dance in slow motion with your head in the clouds. boasting a strong melodic and nostalgic feel, it unfolds its warm analog synth pads, old school sequences and drum machine to psychedelic effect. imagine boards of canada wanting to make you dance. even slower is breakwater, a dirtier, chunkier track that ditches the softness of betaville in favour of a more in your face bass line and all together rougher attitude. it chugs along to old fashioned beat box claps and percussion and quirky synth melodies. lastly betaville gets the timothy j fairplay treatment of being violently pulled apart and chucked in all corners. reminiscent of early chemical brothers music, a heavy beat slaps over agressive drugged up analog sound effects while a repetitive, haunting melody screams on top and reverberated vocals whisper in your ears. scary.

proud and honored are the right words to describe, how we feel like to announce legendary transparent sound on pressure traxx. we ll present the previously unreleased full length original version of -punk mother fucker- on a single sided, sealed and etched 12 inch. be prepared for this rare and massiv all time killer classic. live recorded 1997. hands down. on vinyl only!

dean grenier releases rangeform on omnidisc. and its killer stuff! heavy driving tracks with an alienated feel. reminds a bit of gesloten cirkel.... which is always a good thing!

sami baha is a young producer from istanbul, with his roots in the turkish hiphop scene, who has been stealthily pricking up ears with guest spots on rinse fm and nts since he moved to london last year. he started this ep ‘mavericks’ while he was in istanbul, saying “the music i produced became more chaotic as istanbul became a harsher place both politically and economically. i didn t really design it that way, but i feel like the sound got more aggressive over the years”. he describes his music as ‘instrumental trap‘, but instead of trap vocals there are complex arrangements, although he has started to work with vocalists while he’s been in the uk.

seems like somethings going on across the pond at the moment with seemingly blossoming, or at least rejuvenated scenes in the united states and canada. our last handful of releases on freerange have included artists from montreal, tujuana, pittsburgh and chicago and were about to add los angeles to the list with this new one from justin jay and ulf bonde. the young producers have been steadily building steam with a number of fine releases the last couple of years and we welcome them to freerange for their debut ep entitled indecision. the title track sets the mood with a low-slung, super-deep house groove complete with an intimate vocal and a charming simplicity which contributes to the powerful end result. elements come into focus then disappear in a fog of reverb whilst playful guitar picks add a live jammed feel to the loping groove giving things a bob moses/francis harris kind of vibe

gari romalis and lello di franco - dreamin for the uninitiated, our man gary romalis is the unsung master of detroit’s house and techno scene. having djed across the motor city’s top venues for the last three decades, gary is somewhat of a seminal figure for many of detroit’s djs currently at the forefront. following a slew of high quality releases on various labels over the past few years, gary now unleashes that special flavour on us for skylax 142! he is not alone though. with him, he brings all round italian partymaker, and top selector in his own right, lello di franco. let me tell you, this duo’s collaboration is something to behold. throughout all 3 tracks on the record, gary and lello maintain the essence of what the detroit underground is all about, stripped back tracks with soul that never feel like they go ‘big’ for the sake of it. while dreamin (wanda mix) may be packing a big kick and power clap combo, it’s the elegantly filtered, jazzy sample that will leave you wishing that the track lasted forever. the vibe takes a dip right into the deep in detroit underground (beat dat mix). spacious pad synths alongside a mesmeric vocal carry us through. taking a step back up, afrobeat rounds off the ep, made with a solid toolkit of afro-centric samples.

sebastian fiegen rolls out his debut solo release for cadenza records this spring, with a trio of excellent house cuts on the theofidelity ep. the german producer has been crafting quality productions for some time now under aliases and collaborations, and its on lucianos label where he makes his mark as a solo artist. dopeman opens the ep with a rolling chi-town house style groove, a simple yet effective filtered vocal loop and sustained strings harvest the feel good vibes over its solid beats. fiegen keeps up the pace with anando, more drum led house grooves with a high production value, the vocal refrain cutting in and out of the mix whilst the simplistic bassline and woody percussion maintains the bouncing vibes. closing the ep is th01, again coming correct with the feel good factor with its use of the looped sample and lazy, hypnotizing drums. a cracking debut production from fiegen, and a well rounded release for cadenza.

soft talk is the latest alias that natal zaks - our longtime danish friend and a musician we have been constantly releasing under different monikers throughout the last 5 years - picked out for us. he is hands down the most talented producer we have ever met and it is always a privilege to be able release his music under any name he chooses. we have seen his music go through many transformations and they were always for the best. this time we feel the exact same thing, that this is our favorite music ever and we will never want to release anything else again. that is never true of course, but the mercy ep does feel a lot like that.

mood 24 brings you the first in a limited vinyl only series in the form of mood series. each track has its own story to tell from artists silat beksi, gorbani, herck, leparente. *secret circle* from silat beksi has a very minimal feel, simplistic drums, repetitive groove combined with spacey atmospheric pads and synths. gorbanis track *the jaw* is more drum and percussion oriented with subtle fx shots and and groovy sub bass. hercks *gura sada* is very atmospheric, lots of organic noises. but its that main synth that gets you moving which the entire track is built around. *flashback* from leparente is deep and groovy, pieced together with a wicked bassline and main synth/pad that you can feel in your soul. ears open, this is just the beginning.....

get ready for another techno bomb on footwork audio by label boss jay lumen!! for this second release jay has created two seriously massive peak time tunes. fusion has that dark and trippy energy by the mixture of the characteristic moog synth and 808 elements. while old machines having more of an old school feel with a deep dub techno basis. on top of that we welcome kaiserdisco to the footwork family. the chart ruling dj/producer duo consisting of patrick buck and frederic berger, created a genius remix with a less is more approach on old machines .

repeat music finally back on vinyl. we are proud to present repeat black as new sublabel. for the first vinyl on it we share two original tracks with you, first comes from reclame (italy) the second one was deliverd by raru (ukraine). while reclames track - entry into the italian parliament focuses on the floor moments, raru s - feel is a broken beat afterhour anthem! that s not all. we engaged two remixers which dont need a further introduction. fuse london labelhead seb zito remixed - feel in a stripped down manner and traffic frankfurt s very own martyne made a weird melodic but great remix of reclames track.

dj support : shonky, steve lawler, politics of dancing, danny serrano, darius syrossian, julien sandre, timmy p
imperative is a groovy house track with delayed vocal stabs & a sampled female vocal running though with added with 808 clicks, chords & a snapping snare. the system2 remix of imperative is just as cool with a rolling breaky drum loop giving it a 90s house feel, again the vocal leads the track with the groovy bass & chords built around it. first up on the b side once again is a cool groove with sampled vocals & electronic bleeps echoing through the mix. last but not least the juliche hernandez remix of once again has a more 90s feel to it. fast paced with great percussive hits & a chunky bassline to lead, all in all great release aimed firmly at the dancefloor.

exciting and fresh fluid structured organic techno with that trademark natural feel of voices from the lake on their own new spazio disponibile label. first release is a superb release by donato dozzy and neel showcasing their mutual love of advanced textured sounds and carefully crafted rhythms that create a deeply hypnotic effect. killer techno!!

(incl. dl card) undoubtedly the darlings of electro-pop, satin jackets finally unveil their debut artist album, featuring a string of cameos from vocalists familiar and exotic, jetting in from la, berlin, london, belgium and australia.

support from: a:rpia:r, barac, cezar, livio & roby, nu zau, priku, vid, sepp, wareika, etc. part two of >dene descris<, which means >indescribable<, is indeed better listened than described, as each composition allows the listener to write their own story in the space ada kaleh creates. >dene descris< part two reaffirms ada kalehs incredible mastery and knowledge when it comes to production and his desire to go all the way with an idea - from titles to artwork, everything is well thought and connected, but always leaving room for the listener to feel their own worlds through his music.

next in line to work with underground imprint getme! is uk artist nicky otter, with gme012: i can t really explain (it), a two track release out on 14th march across vinyl and digital platforms. across the ep, nicky ventures between parameters of ambient electronica and big, bad club tracks. nickys outsider sound find its perfect home on london s getme! label, both artist and label undefinable by genre, shape or sound. a-side i can t really explain (it) is a straight call for the dance floor for those after sounds on a more house and garage tip. originally trained as a drummer, nickys percussive talent shines across this bassy number, complete with creeping melody and layered vocal samples for a track nodding to club edits from a nostalgic time gone by. moving into murkier territories, b-side sketch original slow is journey through the darker strains of electronica, hazy techno feels and euphoric ambient vibes. dreamy melodies and carefully mapped out drum patterns meet here, giving sketch original slow an other-worldly feel.

ng trax is pleased to announce the 5th release on this quite delicious label, the brainchild of nima >only the juice< gorji. welcome into your heart romanian duo >the dubsons<. as you will hear and soon see and feel they have all the tools to get your toenails twitching. cracking name also.

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

first release comes from daniela la luz itself, introducing her dancefloor diversity to their new bornlabel. after releasing two albums and a few ep s, remixes and winning a quartz 6 electronic music award, daniela demonstrates once more her genre breaking talent and approach, taking the understanding of house and techno music to new horizons. the combination of tracks is very well thought through. the aim is to fulfill the dj s needs of having one record representing all moods of a set. waveforms are not only a mathematical law, waveforms are everywhere, in all sections of everyday life, in light and in sound. parallel is one of the many parallel universes out there, living and believing in variety, whilst pointing onto respect for various life forms. we do what we love.

ark & pit spector continue their inspired journey with an extended ep full of groovy jams and absorbing rhythms for hold youth. the frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. on this new ep they go deeper into their sound explorations with five original works and a remix from their parisian buddy and hold youth member, le loup. first up, we go into bumping jazzy territory with ‘chauffage central’, a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. straight up after that, hold youth rudeboy le loup gives ‘chauffage central’ a funky little rework, throwing live sounding percussion, nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. the final track on side a, is a cheeky teaser called ‘petite ondée’. rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys. on the flip we kick off with ‘air conditionelle’, a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. the bassline takes you to a new york city street and the whole atmosphere is that of an old school nyc neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. ‘sub tropical’ goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. ‘averse et contre tous’ closes out the ep with a slothish ride into the sunset – ark and pit spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys. another triumphant effort from ark and pit spector, in fact, some of the finest work to date. make sure you check it out!

everyone’s expression is unique, interesting and a collaborated product of life’s experiences, so is the music, the art and the vision. we carry this essence in everything that is techfui. our label brings family, friends and fresh talents together, and is built on a strong relationship around the people and their talents. we stay true to our roots, traditions and culture, always forward thinking and cutting edge. the next step in the evolution of the label sound came from our fellow dubai based uk friend nohijo (lee sandwith) for the second instalment. nohijo has been releasing for a while and has recently evolved himself to more raw stripped back house and techno feel.